Julia Anna Gospodarou | Black and White Fine Art Photography and Architectural Photography

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Cover and Portfolio Feature in iPressphoto Magazine

Home » Blog » Interviews Awards Publications Exhibitions » Cover and Portfolio Feature in iPressphoto Magazine – March 2013

March 10, 2013 by Julia Anna Gospodarou

Cover and Portfolio Feature in iPressphoto Magazine – March 2013

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Cover and Portfolio Feature in iPressphoto Magazine

Cover and Portfolio Feature in iPressphoto Magazine

Very proud to have made the cover, and for the portfolio feature in the March Issue of iPressphoto Magazine, next to some great artists I admire

View the magazine or download the PDF version at http://issuu.com/ipressmagazine/docs/ipressphoto__4_-_en  (http://www.ipressmagazine.com/) To download the English version click on the last icon below the photo.

And here is the text published together with the feature:

“Julia Anna Gospodarou

Architect and black and white fine art photographer, she lives in Athens and  is fascinated by architecture, as well as photography. As she describes herself she is an architect who loves to photograph, and a photographer who loves architecture. She adores long exposures, motion blurs and everything that can make her travel to a different world.

When she was a child she was instilled with the love of photography by her father. Among her first memories, she mentions a huge, brown camera. Her first toy was a machine for developing films. She claims that photographs are like pictures in our imagination that we
learn earlier than words. It was under her father’s influence that she has chosen black and white photos, so characteristic of her contemporary work. She photographs everything 
that is around but its cities and their architecture that she likes to capture the most.

Her works go beyond of what is defined as traditional photography, helping her express her emotions, fantasies and imagination. One can say that Julia’s photos represent the searching for an ideal world that she manages to incorporate in her works. Julia Anna Gospodarou was one of the four main organizers of the Berlin Photo Walk in May 2012.

Her photographs have been published in newspapers and magazines around the world. Currently, her pieces are also available to a wider audience on the most important websites devoted to photography (500px, Google+, Flickr, 1x.com or Art Limited).

She was awarded at a number of competitions, such as SWPA 2013 – Sony World Photography Awards and IPA 2012 – International  Photography Awards in categories Architecture – Bridges and Architecture – Buildings. 

Julia’s biggest dream is that the world becomes black and white. Yet, that wish does not reflect her life attitude. According to the photographer the use of black and white is a much greater challenge than operating with a palette of colors. Actually, no colors are needed to
express emotions but not everybody is able to do that.  What is surprising about the artist is also the way she works. She thinks that an artist does not need many tools to create something interesting. As she says, a camera for a photographer is like a brush for a painter – nothing more than a tool. What proves the most important is the sense of aesthetics because when an artist has less means he or she is able to use creativity, rather than rely on new technologies. This is why she reduces the number of tools and, although she is familiar with digital photography, she often goes back to ordinary films in order to slow down and remind herself of her beginnings.”

Enjoy!

FURTHER STUDY RESOURCES – FINE ART BLACK AND WHITE PHOTOGRAPHY, ARCHITECTURE, LONG EXPOSURE

You can find more resources about fine art black and white photography, (en)Visionography, long exposure photography and architectural photography in my extensive collection of photography tutorials. To receive my future tutorials directly via email you can subscribe to my website.

More about how to create fine art photography, from vision to processing and the final image you can read in my book From Basics to Fine Art – Black and White Photography, with co-author Joel Tjintjelaar and in my video tutorial Long Exposure, Architecture, Fine Art Photography - Creating (en)Visionography a hands-on tutorial accompanied by an eBook presenting my processing workflow, or attend one of my workshops.

Julia Anna Gospodarou - (en)Visionographer

Julia Anna Gospodarou Fine Art black and white photographer Julia Anna Gospodarou is an internationally acclaimed photographer, architect with a Master degree, author and highly sought-after educator, teaching workshops and lecturing around the world. Founder of (en)Visionography™ and creator of Photography Drawing™, author of the best-selling book From Basics to Fine Art - Black and White Photography , with high distinctions in the most important photography competitions worldwide (International Photography Awards IPA Photographer of the Year, World Photography Awards SWPA and Hasselblad Masters finalist, as well as 80+ more awards), widely published internationally in books and magazines, Julia is passionate about the art in photography and striving to spread it into the world.
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Internationally acclaimed Photographer|Architect|Author|Educator|Founder of (en)Visionography™|FormattHitech GlobalAmbassador|Fineart Prints|Workshops

Julia Anna Gospodarou
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_VIPA 2021 Jury_ I have the honor to be part of th _VIPA 2021 Jury_
I have the honor to be part of the jury in the VIPA 2021 Visions International Photo Awards that has just been launched.

I am warmly inviting you all to submit your images to the contest and I wish you good luck to win one or more of the awards. 

Exceptionally, this year the competition will be free as a gesture to help the photography community that was so hard hit by the pandemic. The jury is volunteering and we are all happy to provide our work pro bono to keep the photography community alive and give the chance for exposure to more photographers.

Looking forward to seeing your images. Good luck! 

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Delighted to have won the Best of Nation Award for Delighted to have won the Best of Nation Award for Greece and be a Top 10 finalist in Commercial Category at WPC World Photographic Cup 2021.

I haven’t entered in photography contests for the past years after I had the honor to win the Photographer of the Year award at IPA International Photography Awards in 2016, but this was different. It was teamwork, and we represented Greece with my fellow photographers at one of the most distinguished international competitions, which makes me even happier to have been awarded. 
We are still waiting for the team awards. Wish us luck so Greece wins. And keep an eye on this space to find out the final results. 

For now, you can enjoy the finalist images at this link https://www.worldphotographiccup.org/wpc_gallery/finalists-2021/

Go Greece! 

Nikos Siamos Akis Douzlatzis Anna Pantelia Prokopis Manousopoulos Babis Tsoukias John Makris Nik Pekridis 

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Fluid Time V – Aligning Paths The 5th image in m Fluid Time V – Aligning Paths
The 5th image in my Fluid Time series, shot in Chicago in 2013. 
You can find limited edition prints of this and more images at www.juliaannagospodarou.com 
I’m quite fond of this image, and I remember how much fun I had playing with the camera and the geometry to get a dynamic shot of the convergence of these 2 buildings. The image was shot with the 24 m TS lens of a Canon full frame. 
The particularity of this image is that I wanted to emphasize the composition's dynamism even more by using selective focus with the tilt function of the TS lens. One of the challenges was to place the area of focus in the right spot, given that focusing with the tilt function of TS lens is entirely different than the way we regularly focus. It took quite a bit of work and patience to get it right but it was worth it. 
This is one thing you need to have when working with the TS lens, patience. And the second is the desire to think out of the box and play with your gear. I just love doing that. 

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Fluid Time IV – Stopping Time This is the 4th im Fluid Time IV – Stopping Time
This is the 4th image in my 2013 Fluid Time series and it shows one of the iconic historical buildings in Chicago, the Wrigley Building. Finished in 1924 and built in the Spanish Colonial Revival style, it was one of the first highrises built in the area. 
Here too, I used the tilt function of the tilt-shift lens, as in all the images in the series, and it was actually a quite challenging image to shoot because of the intensity of the effect I needed, which wasn’t easy to create. But the more challenging, the more I love it. Easy images are boring, isn’t it? As everything that is too easy. :) 
You can find limited edition prints of this and more images at www.juliaannagospodarou.com 

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Fluid Time III – Two Worlds The third image in m Fluid Time III – Two Worlds
The third image in my 2013 Fluid Time series. This is one of the most interesting buildings in Chicago, the Hancock Center. One of the things I love about this building, in terms of architectural design is that the structural frame of the building is placed exteriorly and not at the interior as usually, and it is visible on the façade. For those who are wondering, this x-braced reinforcement system allows for larger open spaces in the interior of the building which is why it is ideal for an office building like this, and it also allows for rising taller structures. When it was built, in 1965, the Hancock Center was meant to be the second taller building in the world. 
Like all the images in the series, here too, I used the tilt function of the tilt-shift lens, to focus on the relation between the 2 buildings – hence the title: Two Worlds. 
You can find limited edition prints of this and more images at www.juliaannagospodarou.com 

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Fluid Time II – Utopian Connections Second in my Fluid Time II – Utopian Connections
Second in my 2013 Fluid Time series, this image shows the Prudential Plaza Tower in Chicago, flanked by the Prudential Plaza One building and the Aon Center.
Here I used again the tilt function of the tilt-shift lens, as I did in all the images in this series, to isolate different planes of focus in order to create depth. 
There are three things that you can use to create depth: composition, selective depth of field, and selective work with light. All 3 of them are just as powerful if used right. 
I’m working right now on finalizing a video course about creating B&W photography where I will get into a lot of details about these aspects and many more. If you are interested, keep an eye on this space and I’ll be back with more about it very soon. 
You can find limited edition prints of this and more images at www.juliaannagospodarou.com 

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