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From Basics to Fine Art - Book Review by Jack Torcello

Home » Blog » Books Videos Education » From Basics to Fine Art Book Review by Jack Torcello

October 10, 2015 by Julia Anna Gospodarou

From Basics to Fine Art Book Review by Jack Torcello

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From Basics to Fine Art - Book Review by Jack Torcello

From Basics to Fine Art – Book Review by Jack Torcello

From Basics to Fine Art Book Review by Jack Torcello

We had a fantastic feedback to the book From Basics to Fine Art – Black and White Photography by me and Joel Tjintjelaar over the last few days that passed from its launching,  for which we are very grateful and we want to thank everyone for taking the time to read the book and for the in-depth analysis we have received from readers.

Here’s a great review to the book written by Jack Torcello who is a great thinker and writer,  and one of the best pieces of writing in general that I’ve read lately.  Not only what Jack says honors us in the highest degree but Jack’s writing style is so special and just wonderful.

I particularly liked the wordplay between “Gospodarou” and “gospel” (that I’m emphasizing in the image too). I admit I never thought about it this association, but it’s a great find.

(If Barnbaum was the bible of Black and White…

Thank you Jack Torcello!

Jack starts his article like this:

“(If Barnbaum was the bible of Black and White…
…then Gospodarou (and Tjintjelaar) is the gospel!)

As Gospodarou and gospel share the same root, I am quite certain that for all black and white photographers at least, that this epic new publication will rest comfortably alongside the Bruce Barnbaum bible (‘Art of Photography’).”

(…) Gospodarou and Tjintjelaar have finally given black and white photography a massive – not to say transcending – push into the digital age.

 

If you know who Barnbaum is, then no other comment is needed from me. If you don’t, just read the review.
And if you want to read the book yourself, here’s where you can find it:

From Basics to Fine Art – Purchase Link

http://sites.fastspring.com/juliaannagospodarou/product/frombasicstofineart

Update
I’m adding here the entire text of the review for the case the link above doesn’t function or changes in the future.

Jack Torcello Review of “From Basics to Fine Art”

(If Barnbaum was the bible of Black and White…

…then Gospodarou (and Tjintjelaar) is the gospel!)

May 24, 2014 torcello

As Gospodarou and gospel share the same root,
I am quite certain that for all black and
white photographers at least, that this epic new
publication will rest comfortably alongside the
Bruce Barnbaum bible (‘Art of Photography’).
Barnbaum managed to straddle the old wet and
analogue process of photography, and the new, digital
age. He gave us an insight into the art of the process,
whether A or D, and his ideas are still relevant today.
Gospodarou and Tjintjelaar have finally given black and white
photography a massive – not to say transcending – push
into the digital age! And yes, Greek people do philosophy
like no other, and Julia Anna gives us her comprehensive
insight into her artistic philosophy in the pages of their book.
And it is a captivating insight, page 35 perhaps at its nadir
where you need to be at your sharpest to absorb and identify.
But she does include all aptitudes in her insight.

Gospodarou synthesises together the ages old activity of
vision and process. She implies that the photograph rises
above the status of artefact (of being a thing, or an object)
by the process of marrying artistic vision with creative process.
She argues that fine art photography – being on a higher,
plane of photography, is a function of a process she (rigidly)
names (en)Visioning; and that in today’s digital age, any
photographer making fine-art black and white photographs is involved
in a wholly new genre of photography she calls (en)Visionography.
This is because the digital age allows the photographer so much
more freedom to create, and is not limited by the dynamics of
the dark-room. This word succinctly blends together the acts of
sight (the physical eye), of artistic vision (the mind’s eye/
imagination/soul) and the process (and for many this includes
software, and not just the camera), leading to the finished result:
the Fine-Art black and white Photograph.

She puts into her own words the reflections on creativity that
many great writers before her have done; and she does it well.
Here we see the great discourse on mimesis and even hermeneutics
guiding her thoughts; Gadamer’s words on the processing of ‘idea’
or ‘impulse’ signify greatly in the background, Aristolean mimesis
too. And Minor White’s “Equivalences”. All good to know. Where she
did give this writer pause for thought may well prove to be a ‘nicety’
of language: she states that art is selfish – it is for no-one else
than its progenitor i.e. you yourself.
I hope I am not too picky, but the sense of selfish that comes across
here is self-interested. The sense conveyed here is of a self
hermetically sealed from the world of experience, & thus has no
consequences, no repercussions to her actions, creative as they are.

I feel that this notion of selfishness needs expansion to save it from
its pejorative sense: selfish here, I am sure, relates to the process of
selving. Creativity creates the creator anew in his or her work, is
involved in the extension and growth of the self, rather than
proscribing his or her world by selfishly cutting it off from view.
By definition, art is ‘for an other’. Art can not be art unless there is
a second a ‘significant other’: art is for show. If art is ultimately for
the selfish self, then it has no value, and can only remain
meaningless.

Gadamer put it quite succinctly: pre-conformation (spark, energy,
impulse, idea); conformation (making the spark intelligible to the
self); re-conformation – putting your new & created
understanding & vision into terms that others can relate to.
I feel that the ‘selfish’ self that
Julia Anna refers to is this conforming self, where she gets
‘on terms’ with her original idea, grows it and develops it,
makes fullest creative use. This is the truly personal element
in creation and creativity, where there is no outside person
or self involved. Here, the artistic vision is truly proscribed
by the self, as indeed this self is growing, growing towards
her new vision. It can be said that she is selving (in her
selfishness), creating herself anew. You cannot be selfish once
your art (the photograph) is published. As a great man once said,
and I paraphrase “The meaning is above the photograph!” The artistic
artefact – in our case, the photograph – is an occasion that gives rise
to a unique event: the interpretation. And for every viewer of our
work, that interpretation each time is unique. It precludes ownership
the paper, glass, and frame of the photograph. And I am no proponent
of any “ideal reader” theory where the original intent of the artistic
vision was to have cloned an idea or message ‘exactly’ into every
appreciator. This ‘inelucatable modality’ (an idea taken from James
Joyce) if you like, is the idea that you can reconstitute experience
exactly (whether contemporary or historical) as if by ‘simply adding
water!’ This Joycean ideal is too direct an analogy between art and
experience So as a slight criticism of Gospodarou’s ‘selfish’ artist,
my critical expansion is appropriate.

Mimesis is an ancient Greek term. It can mean ‘the act of making’ –
the putting of self into an artistic artefact in such a way as to convey
emotion, thought, or both. Writers often talk of their work as an
energy loaded into the page like a spring; the act of reading uleashes
this spring, and the jolt of energy contained therein passes somehow
into the reader’. S/he is somehow changed by this energy, this
response, experiences catharsis. And is not the response to a
photograph also like the energy its maker (the photographer)
has loaded into the page? Fine art deals with the higher senses,
as Gospodarou succinctly writes it ‘the soul’. Catharsis – some
kind of sloughing off of a layer of self, like a serpent’ skin releasing
us to grow, to create ourselves anew. This hopefully positive
catharsis occasioned by our encounter with a photographer’s
work, somehow extends us: with the best art (as fine art) such
extension of human experience is for the good. Fine art is
improving, improves us, and Gospodarou’s repeated reference
to the soul reminds us that she has a heightened and almost
spiritual sense guiding her work. Art is not quite the audacity of “being
God” (Prometheus, quieten down!!!), yet Gospodarou gently
nudges us along in a direction that suggests we share with
god/the gods, that transcendent capacity to create. So creation
is something heightened, not to say sacred. It sets us apart from
all other creatures, it is the height of endeavour. Along with
Joel Tjintjelaar, she has given us an amazing – not to say epic – book,
which not only is a great read – especially with all its practical advice –
but is a ‘good book’ as well: it will be read, and cherished,
for many years to come.

(As a balanced review of the whole, this review centres on the philosophy of creativity which to a greater or lesser extent is Gospodarou’s contribution. Tjintjelaar also quotes his vision, but it is less extensive. That is not to say the least important by any means!

 

Julia Anna Gospodarou – (en)Visionographer

Julia Anna GospodarouJulia Anna Gospodarou Fine Art black and white photographer is an internationally acclaimed photographer, architect with a Master degree, author and highly sought-after educator, teaching workshops and lecturing around the world. Founder of (en)Visionography™ and creator of Photography Drawing™, author of the best-selling book From Basics to Fine Art – Black and White Photography , with high distinctions in the most important photography competitions worldwide (International Photography Awards IPA Photographer of the Year, World Photography Awards SWPA and Hasselblad Masters finalist, as well as 80+ more awards), widely published internationally in books and magazines, Julia is passionate about the art in photography and striving to spread it into the world.

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_VIPA 2021 Jury_ I have the honor to be part of th _VIPA 2021 Jury_
I have the honor to be part of the jury in the VIPA 2021 Visions International Photo Awards that has just been launched.

I am warmly inviting you all to submit your images to the contest and I wish you good luck to win one or more of the awards. 

Exceptionally, this year the competition will be free as a gesture to help the photography community that was so hard hit by the pandemic. The jury is volunteering and we are all happy to provide our work pro bono to keep the photography community alive and give the chance for exposure to more photographers.

Looking forward to seeing your images. Good luck! 

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Delighted to have won the Best of Nation Award for Delighted to have won the Best of Nation Award for Greece and be a Top 10 finalist in Commercial Category at WPC World Photographic Cup 2021.

I haven’t entered in photography contests for the past years after I had the honor to win the Photographer of the Year award at IPA International Photography Awards in 2016, but this was different. It was teamwork, and we represented Greece with my fellow photographers at one of the most distinguished international competitions, which makes me even happier to have been awarded. 
We are still waiting for the team awards. Wish us luck so Greece wins. And keep an eye on this space to find out the final results. 

For now, you can enjoy the finalist images at this link https://www.worldphotographiccup.org/wpc_gallery/finalists-2021/

Go Greece! 

Nikos Siamos Akis Douzlatzis Anna Pantelia Prokopis Manousopoulos Babis Tsoukias John Makris Nik Pekridis 

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Fluid Time V – Aligning Paths The 5th image in m Fluid Time V – Aligning Paths
The 5th image in my Fluid Time series, shot in Chicago in 2013. 
You can find limited edition prints of this and more images at www.juliaannagospodarou.com 
I’m quite fond of this image, and I remember how much fun I had playing with the camera and the geometry to get a dynamic shot of the convergence of these 2 buildings. The image was shot with the 24 m TS lens of a Canon full frame. 
The particularity of this image is that I wanted to emphasize the composition's dynamism even more by using selective focus with the tilt function of the TS lens. One of the challenges was to place the area of focus in the right spot, given that focusing with the tilt function of TS lens is entirely different than the way we regularly focus. It took quite a bit of work and patience to get it right but it was worth it. 
This is one thing you need to have when working with the TS lens, patience. And the second is the desire to think out of the box and play with your gear. I just love doing that. 

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Fluid Time IV – Stopping Time This is the 4th im Fluid Time IV – Stopping Time
This is the 4th image in my 2013 Fluid Time series and it shows one of the iconic historical buildings in Chicago, the Wrigley Building. Finished in 1924 and built in the Spanish Colonial Revival style, it was one of the first highrises built in the area. 
Here too, I used the tilt function of the tilt-shift lens, as in all the images in the series, and it was actually a quite challenging image to shoot because of the intensity of the effect I needed, which wasn’t easy to create. But the more challenging, the more I love it. Easy images are boring, isn’t it? As everything that is too easy. :) 
You can find limited edition prints of this and more images at www.juliaannagospodarou.com 

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Fluid Time III – Two Worlds The third image in m Fluid Time III – Two Worlds
The third image in my 2013 Fluid Time series. This is one of the most interesting buildings in Chicago, the Hancock Center. One of the things I love about this building, in terms of architectural design is that the structural frame of the building is placed exteriorly and not at the interior as usually, and it is visible on the façade. For those who are wondering, this x-braced reinforcement system allows for larger open spaces in the interior of the building which is why it is ideal for an office building like this, and it also allows for rising taller structures. When it was built, in 1965, the Hancock Center was meant to be the second taller building in the world. 
Like all the images in the series, here too, I used the tilt function of the tilt-shift lens, to focus on the relation between the 2 buildings – hence the title: Two Worlds. 
You can find limited edition prints of this and more images at www.juliaannagospodarou.com 

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Fluid Time II – Utopian Connections Second in my Fluid Time II – Utopian Connections
Second in my 2013 Fluid Time series, this image shows the Prudential Plaza Tower in Chicago, flanked by the Prudential Plaza One building and the Aon Center.
Here I used again the tilt function of the tilt-shift lens, as I did in all the images in this series, to isolate different planes of focus in order to create depth. 
There are three things that you can use to create depth: composition, selective depth of field, and selective work with light. All 3 of them are just as powerful if used right. 
I’m working right now on finalizing a video course about creating B&W photography where I will get into a lot of details about these aspects and many more. If you are interested, keep an eye on this space and I’ll be back with more about it very soon. 
You can find limited edition prints of this and more images at www.juliaannagospodarou.com 

#architecture #architecturephotography #architecturelovers #cityview #chicago #chicagophotography #prudentialplaza #aoncenter #longexposure #longexposurephotography #formatthitech #ndfilters #tiltshift #tiltshiftlens #blackandwhite #blackandwhitephotography #fineartphotography #mono #monochromatic #monochrome #limitededitionprints #Insta_bw #instadaily #architecturelovers #archdaily #photoshop #juliaannagospodarou #envisionography #photographydrawing
Fluid Time I – Parallel Realities One of my favo Fluid Time I – Parallel Realities
One of my favorite series, shot in 2013 in Chicago – one of my favorite cities. In this series, I worked with the tilt function of the tilt-shift lens to create selective focus, a technique that gained traction among fine art photographers after that. Which is one of the reasons why I consider this one of my most important series. I believe what we do becomes even more valuable if we can not only express ourselves through photography, but we can also inspire others. 
You can find limited edition prints of this and more images at www.juliaannagospodarou.com
Have a great weekend, everyone! 

#architecture #architecturephotography #architecturelovers #cityview #chicago #chicagophotography #millenniumpark #pritzkerpavilion #longexposure #longexposurephotography #formatthitech #ndfilters #tiltshift #tiltshiftlens #blackandwhite #blackandwhitephotography #fineartphotography #mono #monochromatic #monochrome #limitededitionprints #Insta_bw #instadaily #architecturelovers #archdaily #photoshop #juliaannagospodarou #envisionography #photographydrawing
Happy New Year 2021! Wishing a wonderful new year Happy New Year 2021! 
Wishing a wonderful new year to everyone, filled with much love, peace, and inspiration. 
Yours truly.
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