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postulates of envisionography - 1st

Home » Blog » Inspiration Creativity » THE POSTULATES OF (en)VISIONOGRAPHY

April 29, 2014 by Julia Anna Gospodarou

THE POSTULATES OF (en)VISIONOGRAPHY

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postulates of envisionography - 1st - Postulates of envisionography

With the first of the postulates of enVisionography I am starting a new series, that will include my thoughts, other ideas I admire, tips and short pieces of advice regarding VISION and how to create your personal photography – (en)Visionography.

Vision is such a difficult concept to explain, a concept I analyze in depth in my (en)Visionography workshops,  but I’ll try here to make it easy for everyone to understand it and help you  find your own personal VISION and how to express it in your photography to create something more than photography, to create photography based on YOUR own personal vision, your (en)Visionography.

I had started this series a while ago as the “The Postulates of Vision” but the series name slowly transformed into “The Postulates of (en)Visionography”.

WHY POSTULATES OF enVISIONOGRAPHY?

The main reason is because these thoughts have become more and more deep and extended and they are not only related to vision anymore, but to a wider expression of it, to what I call (en)Visionography, which is a personal kind of fine art photography, a photography about the artist much more than a photography about the subject he photographs. This is the base concept of (en)Visionography and with these postulates I want to make it easy to understand so others can use in their process of creation what I discovered and what helps me find photography so fulfilling and such a great tool for expressing my artistic self.

More thoughts will come after this first. They will be enunciated in the form of postulates, in a concise form so they are as clear as possible, and I hope they will give you inspiration and help you get deeper in interpreting your photography and creating a personal fine art photography, which is what I call (en)Visionography.

You can subscribe to my blog to receive the updates on this article, as I will be adding new postulates to it.

 

THE FIRST POSTULATE OF (en)VISIONOGRAPHY

 

“Inspiration is not to be found outside, but inside yourself”

 

What you see in the outside world is only a pretext for you to feel something about what you see and be inspired to translate it into images by using vision. So, next time you will be searching for inspiration, you know what to do. Don’t search to find it by looking at what others do, but look inside yourself to find your real vision. It’s there where you will find the answer.

postulates of envisionography - 2nd

THE 2ND POSTULATE OF (en)VISIONOGRAPHY

 

“Have you ever been in love?

Yes?

Then you can be a fine art photographer”

– Alfred Stieglitz talking to Minor White –

When young Minor visited Alfred Stieglitz in New York sometime in the thirties, he still had many questions about his own direction and whether or not he could be truly a great photographer.

When he expressed his doubts, Stieglitz asked him the question: “Have you ever been in love?” Minor replied: “Yes I have.” Then Stieglitz said”Then you can be a photographer.”
I’m tweaking a bit what Stieglitz said and I’m replacing here “photographer” with “fine art photographer” because I see fine art photography as something different than classical photography. What he said though is one of the things that define (en)Visionography – If you’ve ever been in love you know what means EMOTION. This is what a fine art photographer, an (en)Visionographer, creates. This is what the viewer feels when looking at a fine art photograph. That is what makes it a true fine art photograph.

 

postulates of envisionography - 3rd

THE 3RD POSTULATE OF (en)VISIONOGRAPHY

“Creating fine art photography is discovering yourself.

Your REAL self.”

Fine art photography is more than showing how the world is. It is more than mirroring the world. It is even more than interpreting the world. Fine art photography is about the artist and not necessarily about the world.

(en)Visionography is transforming the vision of an artist, his thoughts and emotions, into an image. This image is much more than a way for the artist to know the world or to interpret it. It is a tool for the artist to know him or herself. In (en)Visionography what we do is discovering ourselves. Our REAL selves. The world and the subject we choose to photograph are tools we use together with photography, in order to get to the core of what we are as artists, as humans, from a spiritual and emotional point of view.

In my mentoring courses I have seen people transforming from photographers to artists, I’ve seen them going from recording reality and trying to present it as well as the can, to looking inside of themselves and showing to the others the world they found there, instead of just showing them the reality they see. It is an amazing process to live for my students and it is so thrilling for me to follow it and be a part of their transformation.

More thoughts coming soon. Stay in touch…

www.envisionography.com

More about VISION in my “Guide to Vision” and in the book “From Basics to Fine Art”

FURTHER STUDY RESOURCES – FINE ART BLACK AND WHITE PHOTOGRAPHY, ARCHITECTURE, LONG EXPOSURE

You can find more resources about fine art black and white photography, (en)Visionography, long exposure photography and architectural photography in my extensive collection of photography tutorials. To receive my future tutorials directly via email you can subscribe to my website.

More about how to create fine art photography, from vision to processing and the final image you can read in my book From Basics to Fine Art – Black and White Photography, with co-author Joel Tjintjelaar and in my video tutorial Long Exposure, Architecture, Fine Art Photography - Creating (en)Visionography a hands-on tutorial accompanied by an eBook presenting my processing workflow, or attend one of my workshops.

Julia Anna Gospodarou - (en)Visionographer

Julia Anna Gospodarou Fine Art black and white photographer Julia Anna Gospodarou is an internationally acclaimed photographer, architect with a Master degree, author and highly sought-after educator, teaching workshops and lecturing around the world. Founder of (en)Visionography™ and creator of Photography Drawing™, author of the best-selling book From Basics to Fine Art - Black and White Photography , with high distinctions in the most important photography competitions worldwide (International Photography Awards IPA Photographer of the Year, World Photography Awards SWPA and Hasselblad Masters finalist, as well as 80+ more awards), widely published internationally in books and magazines, Julia is passionate about the art in photography and striving to spread it into the world.
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_VIPA 2021 Jury_ I have the honor to be part of th _VIPA 2021 Jury_
I have the honor to be part of the jury in the VIPA 2021 Visions International Photo Awards that has just been launched.

I am warmly inviting you all to submit your images to the contest and I wish you good luck to win one or more of the awards. 

Exceptionally, this year the competition will be free as a gesture to help the photography community that was so hard hit by the pandemic. The jury is volunteering and we are all happy to provide our work pro bono to keep the photography community alive and give the chance for exposure to more photographers.

Looking forward to seeing your images. Good luck! 

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Delighted to have won the Best of Nation Award for Delighted to have won the Best of Nation Award for Greece and be a Top 10 finalist in Commercial Category at WPC World Photographic Cup 2021.

I haven’t entered in photography contests for the past years after I had the honor to win the Photographer of the Year award at IPA International Photography Awards in 2016, but this was different. It was teamwork, and we represented Greece with my fellow photographers at one of the most distinguished international competitions, which makes me even happier to have been awarded. 
We are still waiting for the team awards. Wish us luck so Greece wins. And keep an eye on this space to find out the final results. 

For now, you can enjoy the finalist images at this link https://www.worldphotographiccup.org/wpc_gallery/finalists-2021/

Go Greece! 

Nikos Siamos Akis Douzlatzis Anna Pantelia Prokopis Manousopoulos Babis Tsoukias John Makris Nik Pekridis 

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Fluid Time V – Aligning Paths The 5th image in m Fluid Time V – Aligning Paths
The 5th image in my Fluid Time series, shot in Chicago in 2013. 
You can find limited edition prints of this and more images at www.juliaannagospodarou.com 
I’m quite fond of this image, and I remember how much fun I had playing with the camera and the geometry to get a dynamic shot of the convergence of these 2 buildings. The image was shot with the 24 m TS lens of a Canon full frame. 
The particularity of this image is that I wanted to emphasize the composition's dynamism even more by using selective focus with the tilt function of the TS lens. One of the challenges was to place the area of focus in the right spot, given that focusing with the tilt function of TS lens is entirely different than the way we regularly focus. It took quite a bit of work and patience to get it right but it was worth it. 
This is one thing you need to have when working with the TS lens, patience. And the second is the desire to think out of the box and play with your gear. I just love doing that. 

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Fluid Time IV – Stopping Time This is the 4th im Fluid Time IV – Stopping Time
This is the 4th image in my 2013 Fluid Time series and it shows one of the iconic historical buildings in Chicago, the Wrigley Building. Finished in 1924 and built in the Spanish Colonial Revival style, it was one of the first highrises built in the area. 
Here too, I used the tilt function of the tilt-shift lens, as in all the images in the series, and it was actually a quite challenging image to shoot because of the intensity of the effect I needed, which wasn’t easy to create. But the more challenging, the more I love it. Easy images are boring, isn’t it? As everything that is too easy. :) 
You can find limited edition prints of this and more images at www.juliaannagospodarou.com 

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Fluid Time III – Two Worlds The third image in m Fluid Time III – Two Worlds
The third image in my 2013 Fluid Time series. This is one of the most interesting buildings in Chicago, the Hancock Center. One of the things I love about this building, in terms of architectural design is that the structural frame of the building is placed exteriorly and not at the interior as usually, and it is visible on the façade. For those who are wondering, this x-braced reinforcement system allows for larger open spaces in the interior of the building which is why it is ideal for an office building like this, and it also allows for rising taller structures. When it was built, in 1965, the Hancock Center was meant to be the second taller building in the world. 
Like all the images in the series, here too, I used the tilt function of the tilt-shift lens, to focus on the relation between the 2 buildings – hence the title: Two Worlds. 
You can find limited edition prints of this and more images at www.juliaannagospodarou.com 

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Fluid Time II – Utopian Connections Second in my Fluid Time II – Utopian Connections
Second in my 2013 Fluid Time series, this image shows the Prudential Plaza Tower in Chicago, flanked by the Prudential Plaza One building and the Aon Center.
Here I used again the tilt function of the tilt-shift lens, as I did in all the images in this series, to isolate different planes of focus in order to create depth. 
There are three things that you can use to create depth: composition, selective depth of field, and selective work with light. All 3 of them are just as powerful if used right. 
I’m working right now on finalizing a video course about creating B&W photography where I will get into a lot of details about these aspects and many more. If you are interested, keep an eye on this space and I’ll be back with more about it very soon. 
You can find limited edition prints of this and more images at www.juliaannagospodarou.com 

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Fluid Time I – Parallel Realities One of my favo Fluid Time I – Parallel Realities
One of my favorite series, shot in 2013 in Chicago – one of my favorite cities. In this series, I worked with the tilt function of the tilt-shift lens to create selective focus, a technique that gained traction among fine art photographers after that. Which is one of the reasons why I consider this one of my most important series. I believe what we do becomes even more valuable if we can not only express ourselves through photography, but we can also inspire others. 
You can find limited edition prints of this and more images at www.juliaannagospodarou.com
Have a great weekend, everyone! 

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Happy New Year 2021! Wishing a wonderful new year Happy New Year 2021! 
Wishing a wonderful new year to everyone, filled with much love, peace, and inspiration. 
Yours truly.
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