Julia Anna Gospodarou | Black and White Fine Art Photography and Architectural Photography

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Home » Blog » Tutorials Fine Art Black and White Photography » VISION AND BLACK AND WHITE POST PROCESSING – EXUBERANCE I

June 26, 2014 by Julia Anna Gospodarou

VISION AND BLACK AND WHITE POST PROCESSING – EXUBERANCE I

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Exuberance I © Julia Anna Gospodarou - Vision and Black and White Post Processing

Exuberance I © Julia Anna Gospodarou

A tutorial about the creation of the image – Vision and black and white post processing Exuberance I

This is the first time I am publicly posting this image. You can also see it my book From Basics to Fine Art – Black and White Photography, together with many other images I never posted publicly. These images can be seen only in the book, being created especially for it. You can find details about the creation and processing of this and many others in the book.

It was not a long exposure this time.  I shoot handheld once in a while and especially when there are no clouds or water in my frame or when the subject is enough to create the image itself.

This is an image of a bridge I love and whose realization I followed closely from the first to the last moment of its construction.

ABOUT THE SUBJECT – RIO-ANTIRRIO BRIDGE, PATRAS

A piece of interesting trivia first about the bridge. The Rio-Antirrio (or Charilaos Trikoupis) bridge is the longest cable-stayed suspended bridge in the world (2,880 m or 1.8 miles long) and one of the most difficult to realize constructions in the world due to the particularities of the site, the seismic activity of the region and the strong winds blowing here especially during the winter time. The depth of the water where the suspending pylons are built reaches 65 m in some places, which made this structure even more difficult to design and realize. It is considered to be an engineering masterpiece and it was built by a Greek-French consortium led by the group Vinci, the construction being coordinated by architect Berdj Mikaelian.

ABOUT THE IMAGE – SHOOTING CONDITIONS

And now some more about the image.
The image was shot on a very sunny day, as many summer days are in Greece (today, for instance, it’s sunny and we have 37 C, or 100 F for those familiar with Fahrenheit degrees) and it is, as I said, a short exposure. The other images in the series (a series about this bridge) are long exposures and I will post them soon.

VISION AND CREATIVE PROCESS – THE MEANING OF THE IMAGE TITLE

My vision for this image and what I wanted to show here was the force and the power this bridge coveys especially when you go close to it. While from afar it looks like a very elegant, gracious and slim construction, it is only if you go near the pylons when you understand what lies beneath the grace you see from a distance. And this is a tremendous strength and force that can be seen in every detail of this structure and it is justified by the work that each element of this bridge has to do, which is supporting the whole construction suspended at such a dazzling height above the sea. Together with this wave of force, or because of it, you can also feel a great joy and a great admiration for the creators of this bridge, a feeling that fills you with exuberance – thus the name: Exuberance.
This bridge always reminds me of a person that looks calm, gracious and even frail from a distance, but that is capable to show the strongest will and biggest force under the visible shell and when circumstances require it.

TELLING MY STORY THROUGH THE IMAGE

As I always do in my photography work, I try to show not only the object, but mostly how the object made me feel, the thoughts and sensations it triggered in me and the stories I’ve seen in it. This is what I mean when I’m talking about vision, this is what translating your vision into the image means for me.

In this case, the most important way of translating my vision into the image was to choose the right view of the bridge and the right composition. I did this by going close to the bridge and trying to have as a foreground the element that is the most important in the structure of this bridge, thus in conveying my vision of showing the strength of its elements, and this was a cable standing on its base, with a background consisting in one of the pylons of the bridge, the next most important element in my shot and in the structural geometry of the bridge: the pylon supports the cables that in their turn support the bridge. Most of the work here is done by the cables, the pylons are only the ones supporting the cables, as the bridge doesn’t lay on the pylons and has no contact with them, despite this being what one could see without knowing details about the structure.

INTERPRETING THE STRUCTURE OF THE ARCHITECTURAL SUBJECT AND USING IT IN MAKING A STATEMENT THROUGH THE IMAGE

I’m giving you all these details about the structure for two reasons. First, so you understand better my work and how I choose my subjects and compose my images. Second, so I can show you why it is so important to understand your subject, the architectural object in front of you, also to understand how it structurally functions and which is its function, also what was the vision of the architect designing it. Of course, you can shoot architecture without knowing all these things, but knowing them will take your architectural work to the next level, so never go shoot an architectural object without studying it in all these aspects beforehand.
This is one of the best pieces of advice I can give to a fine art architectural photographer.


Understanding how the structure of a building works, at least intuitively,  will take your architectural photography to the next level because you will be able to understand the vision of the architect and use it in your image.


You can read this article I wrote if you want to consult a more in-depth tutorial about the creation of a fine art architectural photograph.

BLACK AND WHITE PROCESSING – PHOTOGRAPHY DRAWING (PhtD)

Second part in realizing my vision here was the processing I did to the image. I can tell you that, once you have a vision in mind, once you know what story you want to tell, it’s very easy to process an image, of course supposing you are already mastering the technical part of it, which is working with processing software.

What I did here processing-wise was to follow my thought of showing the cables as the main structural element of the bridge and the main compositional element of my frame and you can see that my interest (and the brightest tones I used) went to the foreground cable and then to the ones in the background, the rest of the image being subdued tonally speaking so it shows that these elements were secondary in the geometry of the image and in my vision of this bridge.
Therefore, my vision for this bridge is the reason this image is processed the way it is. Never forget this and it will help you when you don’t know how to process an image. Find your vision and the processing will follow.
The image was processed with my method Photography Drawing™ (more details about this method you will find on my blog post above and even more in my book). If you don’t know about this method, in two words it means to process a black and white photograph using the light and rendering principles of classical drawing in black pencil. The processing is selective, meaning you will process every surface in a different way and independently from the others, but keeping in mind that the end result should be a harmonious and natural looking one and it has to look as a whole.

THE FIRST RULE OF PHOTOGRAPHY DRAWING

Show space and volume, not only shape.  

The three-dimensional space and the volumes are the basis of architecture and architectural design. Architecture has almost no interest in two-dimensional shapes, but only in volumes and space. Therefore in drawing, while rendering an architectural object, this is the main goal we need to keep in mind: to show space and volumes, to not limit ourselves to two-dimensional shapes. This principle translates easily to architectural photography and has to do with enhancing the image so it shows more faithfully the space and the volumes existing in it.

The space is too limited here in a blog post to talk more about it (especially that I’ve done it before) but you can find the next 9 rules of Photography Drawing and the 10 Processing Steps, plus the entire philosophy behind the method of Photography Drawing in the book: From Basics to Fine Art – Black and White Photography.

You can more my process of creation in this article about the 15 steps I follow when creating an image with Photography Drawing.

TECHNICAL DATA

Camera:

Nikon D7000

Lens:

Tamron 18-270 mm PZD

EXIF:

1/100 @ 20mm, f/16, ISO 100, Polarizing filter attached

Processing software:

– LR5, PS CC , Topaz B&W Effects  (Topaz Labs B&W Effects 2 Full Review) +Topaz DeNoise + Topaz Detail + DxO View Point

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Topaz Labs was so kind to not only feature my work so many times and participate in my workshops, but they also gave me a discount code for my students and followers who are reading this blog and want to use the best software available in their post-processing work. You can use my special code JULIAG  to get  15% discount for any of the Topaz plugins, separately or the whole collection. You can use the code by ordering at this link. Enjoy!

FURTHER STUDY RESOURCES – FINE ART BLACK AND WHITE PHOTOGRAPHY, ARCHITECTURE, LONG EXPOSURE

You can find more resources about fine art black and white photography, (en)Visionography, long exposure photography and architectural photography in my extensive collection of photography tutorials. To receive my future tutorials directly via email you can subscribe to my website.

More about how to create fine art photography, from vision to processing and the final image you can read in my book From Basics to Fine Art – Black and White Photography, with co-author Joel Tjintjelaar and in my video tutorial Long Exposure, Architecture, Fine Art Photography - Creating (en)Visionography a hands-on tutorial accompanied by an eBook presenting my processing workflow, or attend one of my workshops.

Julia Anna Gospodarou - (en)Visionographer

Julia Anna Gospodarou Fine Art black and white photographer Julia Anna Gospodarou is an internationally acclaimed photographer, architect with a Master degree, author and highly sought-after educator, teaching workshops and lecturing around the world. Founder of (en)Visionography™ and creator of Photography Drawing™, author of the best-selling book From Basics to Fine Art - Black and White Photography , with high distinctions in the most important photography competitions worldwide (International Photography Awards IPA Photographer of the Year, World Photography Awards SWPA and Hasselblad Masters finalist, as well as 80+ more awards), widely published internationally in books and magazines, Julia is passionate about the art in photography and striving to spread it into the world.
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Internationally acclaimed Photographer|Architect|Author|Educator|Founder of (en)Visionography™|FormattHitech GlobalAmbassador|Fineart Prints|Workshops

Julia Anna Gospodarou
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_VIPA 2021 Jury_ I have the honor to be part of th _VIPA 2021 Jury_
I have the honor to be part of the jury in the VIPA 2021 Visions International Photo Awards that has just been launched.

I am warmly inviting you all to submit your images to the contest and I wish you good luck to win one or more of the awards. 

Exceptionally, this year the competition will be free as a gesture to help the photography community that was so hard hit by the pandemic. The jury is volunteering and we are all happy to provide our work pro bono to keep the photography community alive and give the chance for exposure to more photographers.

Looking forward to seeing your images. Good luck! 

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Delighted to have won the Best of Nation Award for Delighted to have won the Best of Nation Award for Greece and be a Top 10 finalist in Commercial Category at WPC World Photographic Cup 2021.

I haven’t entered in photography contests for the past years after I had the honor to win the Photographer of the Year award at IPA International Photography Awards in 2016, but this was different. It was teamwork, and we represented Greece with my fellow photographers at one of the most distinguished international competitions, which makes me even happier to have been awarded. 
We are still waiting for the team awards. Wish us luck so Greece wins. And keep an eye on this space to find out the final results. 

For now, you can enjoy the finalist images at this link https://www.worldphotographiccup.org/wpc_gallery/finalists-2021/

Go Greece! 

Nikos Siamos Akis Douzlatzis Anna Pantelia Prokopis Manousopoulos Babis Tsoukias John Makris Nik Pekridis 

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Fluid Time V – Aligning Paths The 5th image in m Fluid Time V – Aligning Paths
The 5th image in my Fluid Time series, shot in Chicago in 2013. 
You can find limited edition prints of this and more images at www.juliaannagospodarou.com 
I’m quite fond of this image, and I remember how much fun I had playing with the camera and the geometry to get a dynamic shot of the convergence of these 2 buildings. The image was shot with the 24 m TS lens of a Canon full frame. 
The particularity of this image is that I wanted to emphasize the composition's dynamism even more by using selective focus with the tilt function of the TS lens. One of the challenges was to place the area of focus in the right spot, given that focusing with the tilt function of TS lens is entirely different than the way we regularly focus. It took quite a bit of work and patience to get it right but it was worth it. 
This is one thing you need to have when working with the TS lens, patience. And the second is the desire to think out of the box and play with your gear. I just love doing that. 

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Fluid Time IV – Stopping Time This is the 4th im Fluid Time IV – Stopping Time
This is the 4th image in my 2013 Fluid Time series and it shows one of the iconic historical buildings in Chicago, the Wrigley Building. Finished in 1924 and built in the Spanish Colonial Revival style, it was one of the first highrises built in the area. 
Here too, I used the tilt function of the tilt-shift lens, as in all the images in the series, and it was actually a quite challenging image to shoot because of the intensity of the effect I needed, which wasn’t easy to create. But the more challenging, the more I love it. Easy images are boring, isn’t it? As everything that is too easy. :) 
You can find limited edition prints of this and more images at www.juliaannagospodarou.com 

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Fluid Time III – Two Worlds The third image in m Fluid Time III – Two Worlds
The third image in my 2013 Fluid Time series. This is one of the most interesting buildings in Chicago, the Hancock Center. One of the things I love about this building, in terms of architectural design is that the structural frame of the building is placed exteriorly and not at the interior as usually, and it is visible on the façade. For those who are wondering, this x-braced reinforcement system allows for larger open spaces in the interior of the building which is why it is ideal for an office building like this, and it also allows for rising taller structures. When it was built, in 1965, the Hancock Center was meant to be the second taller building in the world. 
Like all the images in the series, here too, I used the tilt function of the tilt-shift lens, to focus on the relation between the 2 buildings – hence the title: Two Worlds. 
You can find limited edition prints of this and more images at www.juliaannagospodarou.com 

#architecture #architecturephotography #architecturelovers #cityview #chicago #chicagophotography #hancockcenter #skyscraper #longexposure #longexposurephotography #formatthitech #ndfilters #tiltshift #tiltshiftlens #blackandwhite #blackandwhitephotography #fineartphotography #mono #monochromatic #monochrome #limitededitionprints #Insta_bw #instadaily #architecturelovers #archdaily #photoshop #juliaannagospodarou #envisionography #photographydrawing
Fluid Time II – Utopian Connections Second in my Fluid Time II – Utopian Connections
Second in my 2013 Fluid Time series, this image shows the Prudential Plaza Tower in Chicago, flanked by the Prudential Plaza One building and the Aon Center.
Here I used again the tilt function of the tilt-shift lens, as I did in all the images in this series, to isolate different planes of focus in order to create depth. 
There are three things that you can use to create depth: composition, selective depth of field, and selective work with light. All 3 of them are just as powerful if used right. 
I’m working right now on finalizing a video course about creating B&W photography where I will get into a lot of details about these aspects and many more. If you are interested, keep an eye on this space and I’ll be back with more about it very soon. 
You can find limited edition prints of this and more images at www.juliaannagospodarou.com 

#architecture #architecturephotography #architecturelovers #cityview #chicago #chicagophotography #prudentialplaza #aoncenter #longexposure #longexposurephotography #formatthitech #ndfilters #tiltshift #tiltshiftlens #blackandwhite #blackandwhitephotography #fineartphotography #mono #monochromatic #monochrome #limitededitionprints #Insta_bw #instadaily #architecturelovers #archdaily #photoshop #juliaannagospodarou #envisionography #photographydrawing
Fluid Time I – Parallel Realities One of my favo Fluid Time I – Parallel Realities
One of my favorite series, shot in 2013 in Chicago – one of my favorite cities. In this series, I worked with the tilt function of the tilt-shift lens to create selective focus, a technique that gained traction among fine art photographers after that. Which is one of the reasons why I consider this one of my most important series. I believe what we do becomes even more valuable if we can not only express ourselves through photography, but we can also inspire others. 
You can find limited edition prints of this and more images at www.juliaannagospodarou.com
Have a great weekend, everyone! 

#architecture #architecturephotography #architecturelovers #cityview #chicago #chicagophotography #millenniumpark #pritzkerpavilion #longexposure #longexposurephotography #formatthitech #ndfilters #tiltshift #tiltshiftlens #blackandwhite #blackandwhitephotography #fineartphotography #mono #monochromatic #monochrome #limitededitionprints #Insta_bw #instadaily #architecturelovers #archdaily #photoshop #juliaannagospodarou #envisionography #photographydrawing
Happy New Year 2021! Wishing a wonderful new year Happy New Year 2021! 
Wishing a wonderful new year to everyone, filled with much love, peace, and inspiration. 
Yours truly.
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